Waiting For the
Right Light

“The difference between these two photos is thirty minutes of time.”

he difference between these two photos is thirty minutes of time. The sun setting on Delicate Arch is

The best type and quality of light varies by the subject. In the above example the overcast sky rendered the arch flat and lifeless but for detail work like close ups of flowers, overcast skies and the resulting flat lighting is our preference. The delicateness and details of the flower are maximized. Subtle color variations are seen and flowers and foliage actually display with increased color saturation.

While on the subject of increasing color saturation in flowers and foliage the use of a polarizing filter must be mentioned. A polarizing filter can remove the reflection or shine from a surface. The color of a flower is usually masked by the shine, a white light. Remove that white light by using a polarizer, and the true color of the flower is seen.

We plan our photo trips carefully. Planning for the light means selecting the time of year and the time of day. Knowing that Mother Nature is not predictable, anticipating and being prepared for the light is a must.

Enjoy,

Mike and Tammy Rice

T

Delicate Arch at sunset

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Changing the weather

“ the nik Color Efex Sunshine filter was used to convert the scene from a dull overcast day to a bright sunny one”

Converting a Color Image to Black and White

“The magic in this technique is the use of two separate black and white conversions, one for the sky, and one for the trees.”

Creative Controls F-stops & Depth of Field

Another factor that affects depth of field is distance from the camera to the subject. Depth of field decreases as the camera moves closer to the subject.

Digital Film Tools 55mm; Photoshop plug-in review

“The bragging rights for Digital Film Tools is that the means of producing the masks is more intuitive, flexible, and powerful than Photoshop CS.”

Grain Surgery for Photoshop - Review

“the noise is removed, yet the details remain”

How to Improve the Image Quality of your Camera

By using a tripod, slower shutter speeds can be utilized allowing the aperture of the lens to be stopped down increasing depth of field

Lens choices for landscape photography

“The wide-angle perspective ... gives the viewer the impression they could walk into the photo”

Becoming a student of Light and Color- Part 1 - Quaility of Light

“I changed, from a photographer that photographs what he finds, to one that starts with a vision and then goes out to produce an image that matches the vision.”

Becoming a student of Light and Color- Part 2- Light , Color, and Composition

“a color only takes on importance when considered relative to the other colors surrounding it."

Long Lens Landscapes

“I am always willing to try for that image with the “wow factor”, and long lenses are definitely an unordinary if not extraordinary way to capture grand landscapes.”

Canadian North Atlantic Coast

“Stories were told of quaint fishing villages virtually untouched since the turn of the 19th century, surrounded by landscapes from seemingly lost worlds.”

Nik Color efect Pro - Photoshop Plug-in Review

“Unlike so many other plug-ins for Photoshop, the nik Multimedia Color Efex Pro filters are truly useful.”

Nikon Capture nx-first look

"What is needed is a raw converter with an extensive enough set of imaging tools that a second program like Photoshop is not required."

Photoshop tips and techniques -An introduction to 5 great plug-ins

“It’s all about color...What caught her eye was the contrast between the yellow tree, the glowing red rocks, and the cool blue base.”

Photoshop tips and techniques -A watercolor effect from the unlikely pairing of two third party plug-ins

“I look for subjects that move me emotionally...When I got the slides back however, the magic was missing”

Painting with Light -A Photoshop tutorial

“most images need at least one of their elements to be pure black, meaning black with no detail, and need at least one of their elements to be pure white meaning white with no detail”

Basic Photoshop for photographers - Part 1

"Today we are making images that we could not even have dreamed of making before"

Basic Photoshop for photographers -Part 2

"Always use a separate layer this allows mistakes to be erased at any time"

Segmentis Fo2PiX buZZ review

"The user has control over how much detail is removed. One can choose to remove detail in the highlights, shadows, or both"

The Filters we use and why

"The question I often hear is “do you still use lens filters”. The answer is yes, because there still is no substitute for capturing the image properly."

The Gas Station- The story behind a picture

“I wanted the picture to interact with the viewer, to encourage the viewer to explore”

Waiting for the right light

"Planning for the light means selecting the time of year and the time of day"

Tutorials and Reviews Index

a vivid example of how a scene can be transformed from flat lighting to a brilliant fiery glow in the course of thirty minutes.

As a general rule of thumb the best light for landscape photography is from 30 minutes before sunrise till about 9:00am and from about 4:00pm to just after sunset. The day we were at Delicate Arch the sky was densely overcast resulting in a very flat look to the scene. We waited the latter part of the afternoon hoping the thick cloud cover would break. During that time several other photographers came and left. A few waited till just before sunset, not wanting to walk the rocky trail back in the dark. Our patience was rewarded. Just as the setting sun touched the horizon it broke through the clouds painting the landscape with a fiery glow. Twenty seconds later the light was gone.

The two photos of Delicate Arch also demonstrate films inability to hold detail in both the shadow area and the areas lit by direct sunlight. The lower arch photo shows detail throughout the picture because of the overcast light. The top arch photo lit by direct sun is lacking detail in the shadow areas. In a situation like this expose for the bright areas and let the shadow areas go dark.

Delicate Arch 30 minutes before sunset

Non-direct overcast light for detail