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Waiting For the
Right Light

“The difference between these two photos is thirty minutes of time.”
he difference between these two photos is thirty minutes of time. The sun setting on Delicate Arch is
The best type and quality of light varies by the subject. In the above example the overcast sky rendered the arch flat and lifeless but for detail work like close ups of flowers, overcast skies and the resulting flat lighting is our preference. The delicateness and details of the flower are maximized. Subtle color variations are seen and flowers and foliage actually display with increased color saturation.
While on the subject of increasing color saturation in flowers and foliage the use of a polarizing filter must be mentioned. A polarizing filter can remove the reflection or shine from a surface. The color of a flower is usually masked by the shine, a white light. Remove that white light by using a polarizer, and the true color of the flower is seen.
We plan our photo trips carefully. Planning for the light means selecting the time of year and the time of day. Knowing that Mother Nature is not predictable, anticipating and being prepared for the light is a must.
Enjoy,
Mike and Tammy Rice
Delicate Arch at sunset

a vivid example of how a scene can be transformed from flat lighting to a brilliant fiery glow in the course of thirty minutes.
As a general rule of thumb the best light for landscape photography is from 30 minutes before sunrise till about 9:00am and from about 4:00pm to just after sunset. The day we were at Delicate Arch the sky was densely overcast resulting in a very flat look to the scene. We waited the latter part of the afternoon hoping the thick cloud cover would break. During that time several other photographers came and left. A few waited till just before sunset, not wanting to walk the rocky trail back in the dark. Our patience was rewarded. Just as the setting sun touched the horizon it broke through the clouds painting the landscape with a fiery glow. Twenty seconds later the light was gone.
The two photos of Delicate Arch also demonstrate films inability to hold detail in both the shadow area and the areas lit by direct sunlight. The lower arch photo shows detail throughout the picture because of the overcast light. The top arch photo lit by direct sun is lacking detail in the shadow areas. In a situation like this expose for the bright areas and let the shadow areas go dark.
Delicate Arch 30 minutes before sunset

Non-direct overcast light for detail