Digital Film Tools 55MM; A Photoshop plug-in review

“we were fascinated by the fact that the 55MM filters, designed for feature film and television visual effects, could achieve those same looks in Photoshop”.

he 55MM digital optical filters from Digital Film Tools seem to have a bit of that Hollywood movie

magic as they apply their effects to Photoshop images.

An extensive filter collection, they excel at enhancing the light, color, and diffusion in ways that magically transform the atmosphere and mood in images. On a more routine level, they are some of the best and most powerful tools we have found for color correcting, and as such are a basic part of our workflow.

We originally came across Digital Film Tools 55MM when we were looking for 16-bit plug-ins for Photoshop. As you probably are aware, processing in 16-bits is a huge advancement over 8-bits when it comes to maintaining image quality. 55MM has 47 different filters, all with 16-bit functionality.

Viewing their web site, we were fascinated by the fact that the 55MM filters, designed for feature film and television visual effects, could achieve those same looks in Photoshop. We downloaded the demo, and were hooked.

The Filters Overview

Rather than ramble on trying to describe all the filters I am quoting Digital Film Tools web-sight; “55MM is the definitive set of digital optical filters meant to simulate popular glass camera filters, specialized lenses, optical lab processes, film grain, matte generation, exacting color correction as well as natural light and photographic effects--all in a controlled digital environment with either 8 or 16 bits per channel processing”.

The set of plug-ins includes:

Black Mist

Black & White

Bleach Bypass

Center Spot

Color Conversion

Color Correct

Color Grad

Color Temperature

Cross Processing

Defocus

Diffusion

Dual Tint

Enhancing

Fast Blur

Faux Film

Fluorescent

Fog

F-Stop

Glow

Grain

Infra-Red

Lens Distortion

Light!

Low Contrast

Matte Generator

Mist

ND Grad

Night Vision

Overexpose

Ozone

Polarizer

Printer Points

Rosco Gels

Selective Color Correct

Selective Saturation

Selective Soft Focus

Soft EFX

Star

Streaks

Sunset/Twilight

Tint

Temperature

Ultra Contrast

Warm Mist

The filters we use most are Color Correct, Selective Color Correct, Bleach Bypass, Rosco Gels, Fog, Black & White, Enhancing, and Light!.

T

Image transformation from the application of three filters from Digital Film Tools: Ultra Contrast, Rosco Gels, and Light!. See original image below.

“Lost Boats” , A stylized interpretation using the Bleach Bypass and Fog Filter.

Color Correction

With the intriguing filter names above you are probably wondering why I would start out with something as mundane as color correction. The answer is that the 55MM color correction filters are the most powerful all in one tools we have found, better than anything that Photoshop CS has. The great power lies in the combination of controls allowing interactivity between Hue, Saturation, Brightness, Contrast, Gamma, Red, Green, Blue, and Color Temperature. And, saving the best for last, the adjustments can be applied globally to the whole image or locally to select areas. The selections or masks are generated within the plug-in. The bragging rights for Digital Film Tools is that the means of producing the masks is more intuitive, flexible, and powerful than Photoshop CS.

The ability to generate a mask and apply adjustments locally is built in to many of the 55MM filters. Other filters in the set make use of gradient masks, and once again the controls are intuitive and easy to use. If all this talk of masks and selections seems a little daunting to you, that’s exactly why these filters are so useful. All you have to do is adjust for the look you want, and apply it just to the areas in the image you choose. The 55MM filters can also be used fully automatically. Just select the filter, click Reset, and then Ok. In this manner these filters can be applied as easily as using an action in Photoshop.

Bleach Bypass

One of the popular looks for Hollywood movies is one of desaturated color, altered contrast, along with an overall added color tinting. Some describe the look as a color image merged with a black and white one. The 55MM filter Bleach Bypass goes along ways towards achieving this look.

“Islets”, The Digital Film Tools Light! Filter was used to add the look of clouds to the sky. The Fog Filter was used to complete the look.

Digital Film Tools 55MM Selective Color Correct was used to add warm sunlight to the clouds, without altering the rest of the image.

“The bragging rights for Digital Film Tools is that the means of producing the masks is more intuitive, flexible, and powerful than Photoshop CS.”

Before Bleach Bypass.

Changing the weather

“ the nik Color Efex Sunshine filter was used to convert the scene from a dull overcast day to a bright sunny one”

Converting a Color Image to Black and White

“The magic in this technique is the use of two separate black and white conversions, one for the sky, and one for the trees.”

Creative Controls F-stops & Depth of Field

Another factor that affects depth of field is distance from the camera to the subject. Depth of field decreases as the camera moves closer to the subject.

Digital Film Tools 55mm; Photoshop plug-in review

“The bragging rights for Digital Film Tools is that the means of producing the masks is more intuitive, flexible, and powerful than Photoshop CS.”

Grain Surgery for Photoshop - Review

“the noise is removed, yet the details remain”

How to Improve the Image Quality of your Camera

By using a tripod, slower shutter speeds can be utilized allowing the aperture of the lens to be stopped down increasing depth of field

Lens choices for landscape photography

“The wide-angle perspective ... gives the viewer the impression they could walk into the photo”

Becoming a student of Light and Color- Part 1 - Quaility of Light

“I changed, from a photographer that photographs what he finds, to one that starts with a vision and then goes out to produce an image that matches the vision.”

Becoming a student of Light and Color- Part 2- Light , Color, and Composition

“a color only takes on importance when considered relative to the other colors surrounding it."

Long Lens Landscapes

“I am always willing to try for that image with the “wow factor”, and long lenses are definitely an unordinary if not extraordinary way to capture grand landscapes.”

Canadian North Atlantic Coast

“Stories were told of quaint fishing villages virtually untouched since the turn of the 19th century, surrounded by landscapes from seemingly lost worlds.”

Nik Color efect Pro - Photoshop Plug-in Review

“Unlike so many other plug-ins for Photoshop, the nik Multimedia Color Efex Pro filters are truly useful.”

Nikon Capture nx-first look

"What is needed is a raw converter with an extensive enough set of imaging tools that a second program like Photoshop is not required."

Photoshop tips and techniques -An introduction to 5 great plug-ins

“It’s all about color...What caught her eye was the contrast between the yellow tree, the glowing red rocks, and the cool blue base.”

Photoshop tips and techniques -A watercolor effect from the unlikely pairing of two third party plug-ins

“I look for subjects that move me emotionally...When I got the slides back however, the magic was missing”

Painting with Light -A Photoshop tutorial

“most images need at least one of their elements to be pure black, meaning black with no detail, and need at least one of their elements to be pure white meaning white with no detail”

Basic Photoshop for photographers - Part 1

"Today we are making images that we could not even have dreamed of making before"

Basic Photoshop for photographers -Part 2

"Always use a separate layer this allows mistakes to be erased at any time"

Segmentis Fo2PiX buZZ review

"The user has control over how much detail is removed. One can choose to remove detail in the highlights, shadows, or both"

The Filters we use and why

"The question I often hear is “do you still use lens filters”. The answer is yes, because there still is no substitute for capturing the image properly."

The Gas Station- The story behind a picture

“I wanted the picture to interact with the viewer, to encourage the viewer to explore”

Waiting for the right light

"Planning for the light means selecting the time of year and the time of day"

Tutorials and Reviews Index

After Bleach Bypass.